The story
The existing instruments have been readily seized upon by harpsichordists as the ideal instruments upon which to play the music of Portuguese and Spanish baroque composers such as Carlos Seixas and Manuel Blasco de Nebra. These recordings use original Antunes instruments:
Carlos Seixas: Harpsichord Sonatas, played by Cremilde Rosado Fernandes (1758 instrument); Portugalsom CD 870023/PS.
Carlos Seixas: Harpsichord Sonatas, played by Robert Woolley (1785 instrument); Amon Ra CD-SAR 43.
Carlos Seixas: Harpsichord Sonatas, Sinfonia, Harpsichord Concerto, conducted and played by Ketil Haugsand (1758 instrument) with the Norwegian Baroque Orchestra; Virgin Veritas 45114.
Carlos Seixas: Concerto, Sonatas, played by José Luis González Uriol (1758 instrument) and Segréis de Lisboa (conducted by Manuel Morais), Portugaler 2003-2
Carlos Seixas: 12 Harpsichord Sonatas, played by Rui Paiva (1758 instrument), Philips 528 574-2
Manuel Blasco de Nebra: Sonatas & Pastorelas, played by Carole Cerasi (1785 instrument); Metronomist MET1064.
Lodovico Giustini di Pistoia: Sonate da Cimbalo di Piano, e Forte, detto volgarmente di Martelletti (Firenze, 1732), played by Cremilde Rosado Fernandes (1767 pianoforte), Numérica - NUM 1047
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Carlos Seixas: Harpsichord Sonatas (complete recording, vol. I), played by José Carlos Araújo (1758 instrument); Melographia Portugueza CD 12/001, MPMP.
Carlos Seixas: Harpsichord Sonatas (complete recording, vol. III), played by José Carlos Araújo (1758 instrument); Melographia Portugueza CD 13/003, MPMP.
From Wikipedia’s article on Antunes (harpsichord makers), shared under CC BY-SA 4.0.3