The story
Founded by Benito Mussolini in 1937, in Porco.1
The studios were founded in 1937 by Benito Mussolini, his son Vittorio, and his head of cinema Luigi Freddi under the slogan "Il cinema è l'arma più forte" ("Cinema is the most powerful weapon"). The purpose was not only for propaganda, but also to support the recovering Italian feature film industry, which had reached its low point in 1931. Mussolini himself inaugurated the studios on 21 April 1937. Post-production units and sets were constructed and heavily used initially. Early films such as Scipio Africanus (1937) and The Iron Crown (1941) showcased the technological advancement of the studios. Seven thousand people were involved in the filming of the battle scene from Scipio Africanus, and live elephants were brought in as a part of the re-enactment of the Battle of Zama.
During World War II it became a German army barracks and was stripped of all electrical equipment with its sound stages smashed and gutted. The studios were bombed by the Western Allies during the bombing of Rome in World War II.
From 1944 to 1950, the studios of Cinecittà were used as a refugee camp for displaced persons following German occupation and Allied bombing that damaged parts of the complex. Cinecittà also served as the administrative center for displaced persons in Italy and housed 680 Jewish refugees in 1947. In 1945, a synagogue and nursery were established at the camp, which reached a capacity of 1,800 Jewish and non-Jewish displaced persons that year. The Central Committee of Liberated Jews in Italy also convened at Cinecittà and published Baderekh, the principal Jewish displaced-persons newspaper in Italy, there. The executive staff of the American Jewish Joint Distribution Committee in Italy also met at the camp. An estimated 3,000 refugees lived there, divided into two camps: an Italian camp housing Italians as well as displaced people from Italian Libya and Dalmatia, and an international camp, including refugees from Yugoslavia, Poland, Egypt, Iran, and China.
After rebuilding in the postwar years by MGM's Henry Henigson for Quo Vadis, the studios were used once again for their post-production facilities. Cinecittà, described as Hollywood on the Tiber, was the location for several large American film productions, like Roman Holiday (1953), Beat the Devil (1953), The Barefoot Contessa (1954), Ben-Hur (1959), and some low-budget action pictures starring Lex Barker. Barker also featured in Federico Fellini's La Dolce Vita (1960) and the studios were for many years closely associated with Fellini.
In the same period, the studios were used for further international productions such as Francis of Assisi (1961), Cleopatra (1963), The Agony and the Ecstasy (1965), Zeffirelli's Romeo and Juliet (1968), Fellini's Casanova (1976), La Traviata (1982) and many other productions.
It hosted the Eurovision Song Contest 1991. This was the 36th Eurovision Song Contest and was held on Stage 15. Due to the Gulf War and mounting tensions in Yugoslavia, RAI decided to move the contest from Sanremo to Rome, which was perceived to be more secure.
After a period of near-bankruptcy, the Italian Government privatized Cinecittà in 1997, selling an 80% stake. On August 9, 2007, a fire destroyed about 3,000 m2 (32,000 sq. ft.) of the Cinecittà lot and surroundings. The historic part that houses the sets of classics such as Ben-Hur was not damaged; however, a good portion of the original sets from the HBO/BBC series Rome was destroyed. In July 2012, another fire damaged Teatro 5, the vast studio where Fellini filmed La Dolce Vita and Satyricon (1969). A third fire in August 2022 destroyed part of a partially dismantled set depicting Renaissance-era Florence and disrupted filming of the sequel to The Old Guard.
Since the 1990s, films have included Anthony Minghella's The English Patient (1996) and The Talented Mr. Ripley (1999), Martin Scorsese's Gangs of New York (2002), Wes Anderson's The Life Aquatic with Steve Zissou (2004), Mel Gibson's The Passion of the Christ (2004), Edward Berger's Conclave (2024), Luca Guadagnino's Queer (2024) and Terry Gilliam's Carnival: At the End of Days (TBA).
From Wikipedia’s article on Cinecittà, shared under CC BY-SA 4.0.4
