The story
Founded by Bryan Forbes in 1927.1
Private company
British-French film studio and distributor
Studiocanal Films (formerly known as EMI Films, Thorn EMI Screen Entertainment, Lumiere Pictures and Television,UGC DA and Canal+ Image International) was a British-French film, television, animation studio and distributor.2 It was founded by Bryan Forbes.1 Wikipedia text CC BY-SA 4.0
Last updated Oct 21, 2026.
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Studiocanal Films (formerly known as EMI Films, Thorn EMI Screen Entertainment, Lumiere Pictures and Television,UGC DA and Canal+ Image International) was a British-French film, television, animation studio and distributor. A former subsidiary of the EMI conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with Metro-Goldwyn-Mayer and Anglo-EMI, the division under Nat Cohen, and the later company as part of the Thorn EMI conglomerate (following the merger with Thorn) are outlined here.2
Founded by Bryan Forbes in 1927.1
Who has led EMI Films, and when. Pick a name to see everywhere that person has worked.
Listed on Wikidata.1
Spikings announced a slate of films under his auspices: The Jazz Singer with Neil Diamond, The Elephant Man (both 1980), Honky Tonk Freeway (1981) Franco Zeffirelli's biopic of Maria Callas, Discoland (which became Can't Stop the Music), The Awakening, and The Knight directed by Ridley Scott.
Delfont created a new company, Associated Film Distribution, to distribute films of EMI and ITC, then controlled by Lew Grade, his brother. This has been called "an utterly foolish move." EMI's film division was renamed Thorn EMI Screen Entertainment, to reflect EMI's merger with Thorn Electrical Industries to become Thorn EMI in 1979.
In March 1980, EMI were only making one film in Britain The Mirror Crack'd, which was released at the end of the year, but was a box-office failure. Lord Delfont announced that the company had purchased two British scripts, The Defense by John Mortimer and Off the Record by Frederick Forsyth. He admitted that sixty percent of the company's film budget would be spent in America the following year but "100% of the profits would come to this country... We have got to make films we believe are international, to get the money to bring exports back to this country."
In February 1981, Barry Spikings announced a slate of films worth £70 million, including Honky Tonk Freeway, Memoirs of a Survivor, Comrades and The Knight (now a Walter Hill film). The latter was not made.
In March 1981, Spikings admitted AFD has not "gotten off to a flying start" and would be wound up, with Universal taking over distribution of EMI Films. He argued that "production and distribution are not linked" and pointed to the five Oscars that EMI films had earned. In particular, Can't Stop the Music, Honky Tonk Freeway, and Raise the Titanic had been box-office failures.
Also in 1981, Thorn EMI entered the fast-growing home video market as Thorn EMI Video, featuring an initial line-up of 14 titles (The Tubes Video, April Wine Live in London, I Am a Dancer, Can't Stop the Music, Times Square, Death on the Nile, The Cruel Sea, The Day the Earth Caught Fire, The Best of Benny Hill, Scars of Dracula, Sophia Loren: Her Own Story, S.O.S. Titanic, The Royal Wedding, and Queen: Greatest Flix). The division was primarily active in both the UK and the US, as well as in Australia. In addition to Thorn EMI's own material, the division licensed titles from other companies, mostly those who had no home video division at the time, including New Line Cinema, Orion Pictures, Carolco Pictures and Hemdale Film Corporation.
From Wikipedia’s article on Studiocanal Films, shared under CC BY-SA 4.0.3
The numbers on this page point here. Each one links to the record it came from.