The story
Founded by Hedwig Bollhagen and Heinrich Schild in 1934.1
History
Following up a suggestion from her friend Nora Herz, Hedwig Bollhagen was able to restart production at the closed-down Haël Workshops for Artistic Ceramics, which had been founded by Margarete Heymann and Gustav Loebenstein, with the opening of the HB Workshops in 1934. The new limited company made it possible to gradually re-employ the former employees of the workshops and to introduce a new product line – HB Ceramics – by taking on the employees (including Theodor Bogler and Werner Burri) of the Velten-Vordamm stoneware factory which had closed in 1931.
As had been the case for Margarete Heymann and the two employees mentioned above, the master craftswoman ceramicist Thoma Gräfin Grote, who was a developer and commercial assistant in the company from 1934/1935 onwards, had been trained by Gerhard Marcks in the ceramics workshop of the state-run Bauhaus on the Dornburg. The painter Charles Crodel (1894–1973), who was a friend of Gerhard Marcks, gave his support to the company from 1935 onwards. He opened up the field of building ceramics and at the same time brought with him industrial experience in the development of decoration which he had gained at the United Lausitz Glassworks (Wilhelm Wagenfeld). After the war, Heinrich Schild, who was a member of the National Socialist German Workers' Party, fled to West Germany. Hedwig Bollhagen took on responsibility for running the business alone.
In 1972 the workshops were nationalised, but Hedwig Bollhagen stayed on as artistic director. In 1992, the business was finally reprivatised. After Hedwig Bollhagen's death, the artist Heidi Manthey took on the role of artistic director.
Discussion of history
In the context of the gradual revival of production by Hedwig Bollhagen from 1934 onwards (she was at the time just 26 years old) and the re-employment of the employees of the two closed-down ceramic art factories—the Velten-Vordamm stoneware factories G.m.b.H.(1931) and the Haël Workshops for Artistic Ceramics (1933)—through the mediation of the Cologne ceramicist Nora Herz, there was some talk, in a discussion relating to the exhibition to celebrate the 100th birthday of the founder, of expropriation and Aryanisation in line with the Directive on the exclusion of the Jews from the German business economy of 12 November 1938. In terms of setting up and profiting from the HB workshops, at least two Jewish ceramicists were involved, at least up until the end of 1936, these being Margarete Heymann and Nora Herz from Cologne.
From Wikipedia’s article on HB-Werkstätten für Keramik, shared under CC BY-SA 4.0.3
