Private company

Horn & Hardart

American food services company known for automats

Horn & Hardart was a food services company in the United States noted for operating the first food service automats in Philadelphia, New York City, and Baltimore. Horn & Hardart automats ushered in the fast food era and at their height, they were the largest restaurant chain in the world, with more than 100 locations. Philadelphia's Joseph Horn (1861–1941) and German-born, New Orleans-raised Frank Hardart (1850–1918) opened their first restaurant in Philadelphia, on December 22, 1888.2 Wikipedia text CC BY-SA 4.0

Last updated Oct 21, 2026.

Overview

1898Founded1
  • Industryrestaurant1
Horn and Hardard halibut ad
Photo: Horn & Hardardt, Public domain, via Wikimedia Commons4

Horn & Hardart was a food services company in the United States noted for operating the first food service automats in Philadelphia, New York City, and Baltimore. Horn & Hardart automats ushered in the fast food era and at their height, they were the largest restaurant chain in the world, with more than 100 locations.2

The story

Joseph Horn had traveled in Europe and experienced the revolutionary new form of restaurant known as the Automat, pioneered by Max Sielaff in Berlin.

Inspired by the success and decor of this new form of food service that eliminated wait staffs but still served high quality fresh food, Horn persuaded his partner Frank Hardart to open the first automat in the U.S., which made its debut on June 9, 1902, at 818 Chestnut Street in Philadelphia. It was the first non-European restaurant to receive patented vending machines from Sielaff's Automat GmbH factory in Berlin, the creators also of the first chocolate bar vending machine for Ludwig Stollwerck.

Ten years later, the first New York Automat opened in Times Square, on July 2, 1912, and later that week, the third opened at Broadway and E 14th St, near Union Square.

In 1924, Horn & Hardart opened retail stores to sell prepackaged automat favorites. Using the advertising slogan, "Less Work for Mother," the company popularized the notion of easily served "take-out" food as an equivalent to "home-cooked" meals.

The Horn & Hardart Automats were particularly popular during the Depression era, when their macaroni and cheese, baked beans, and creamed spinach were staple offerings. In the 1930s, union conflicts resulted in vandalism, as noted by Christopher Gray in The New York Times:

In 1932 the police blamed members of the glaziers union for vandalism against 24 Horn & Hardart and Bickford's restaurants in Manhattan, including the one at 488 Eighth Avenue. Witnesses said that a passenger in a car driving by used a slingshot to damage and even break the plate glass show windows. Glaziers union representatives had complained about nonunion employees installing glass at the restaurants.

By the time of Horn's death in 1941, the business had 157 retail shops and restaurants in the Philadelphia, New York, and Baltimore areas, serving some 500,000 patrons a day. During the 1940s and the 1950s, more than 50 New York Horn & Hardart restaurants served 350,000 customers a day.

In 1953, the company split into two independent public corporations: the New York entity was named the Horn & Hardart Company, and the Philadelphia entity was named the Horn & Hardart Baking Company. Shares of the first were traded on the American Stock Exchange, and the second on the Philadelphia Stock Exchange.

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The self-service restaurants operated for nearly a century, with the business's last New York City storefront closing in 1991.

From Wikipedia’s article on Horn & Hardart, shared under CC BY-SA 4.0.3

Products and brands

Operation

In their heyday, Horn & Hardart automats were popular, busy eateries. They featured prepared foods displayed behind small coin- and token-operated glass-doored windows, beginning with buns, beans, fish cakes, and coffee. As late as the 1950s, one could enjoy a large, if somewhat plain, meal for under $1.00. Each stack of dispensers had a metal drum that staff on the other side of the vending wall could rotate to refill its windows. Every dispenser had a slot for coins or tokens purchased from a cashier, with tokens worth up to 75¢ for more expensive items. A knob was rotated to capture the fee and unlock the door. Dispensers were room temperature, heated, or cooled as appropriate.

With success, the chain began lunch and dinner entrees, such as fish, beef stew, and Salisbury steak with mashed potatoes.

Carolyn Hughes Crowley described the appeal of the Automats:

In huge rectangular halls filled with shiny, lacquered tables, women with rubber tips on their fingers — "nickel throwers," as they became known — in glass booths gave customers the five-cent pieces required to operate the dispensers. After depositing the appropriate amount the compartment opened to present the desired food to the customer through a small glass. Diners picked up hot foods at buffet-style steam tables.

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The word "automat" comes from the Greek automatos, meaning "self-acting." Still, the Automats were heavily staffed. As a customer removed a compartment's contents, a worker quickly slipped another sandwich, salad, side dish, or dessert into the vacated chamber.

Stage productions

In the song "Colored Spade" from the musical Hair (1967), the character Hud (a militant African-American) satirically assigns to himself various racial stereotypes including "Table cleaner at Horn & Hardart".

The original Broadway set for the musical The Producers (2001) incorporated some of the Automat.

Neil Simon's play The Odd Couple (1965) includes a reference to Horn & Hardart: Cecily Pigeon says to Oscar and Felix, "Well then, we can eat up in our place. We have plenty of Horn and Hardart's."

From Wikipedia’s article on Horn & Hardart, shared under CC BY-SA 4.0.3

Timeline

  1. 1898Founded Founded1

Sources

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