Oper Frankfurt

Early history

Frankfurt's first opera was Johann Theile's Adam und Eva, performed in 1698 by Johann Velten's touring company. The first operas Goethe experienced in his hometown of Frankfurt were productions by Theobald Marchand's company.

1782–1880

Opened in 1782, the Comoedienhaus was the first permanent venue of the Frankfurt Theater (drama and opera). In 1878 German violinist Willy Hess took up the leadership of the Oper Frankfurt. He resigned from that post in 1886 to take up a professorship in the Rotterdam Conservatorium voor Muziek.

1880–1944

The first representative opera house of the city was inaugurated in Frankfurt in 1880 at Opernplatz. Under the direction of the first Intendant Emil Claar and the first Kapellmeister Felix Otto Dessoff, the house was opened with Mozart's opera Don Giovanni.

During the 1920s, the opera in Frankfurt had more prominent Jewish singers than any other company in Germany, including the tenor Hermann Schramm, bass Hans Erl (the first King in Schreker's Der Schatzgräber), baritone Richard Breitenfeld and contralto Magda Spiegel, who also toured with Frankfurt Opera performing Wagner in the Netherlands. These singers were forced to leave the opera in June 1933. Orff's Carmina Burana was premiered at Oper Frankfurt in 1937. Jewish members of the opera company among those rounded up on 9 November 1938 at the Festhalle Frankfurt, where Erl sang In diesen Heil'gen Hallen, from the Magic Flute for the deportees. Members of Frankfurt Opera were sent to Auschwitz and other camps where they perished.

1945–1970s

The opera house was damaged in an air raid in January 1944, and then almost completely destroyed in March. In 1952, Georg Solti became Generalmusikdirektor (GMD) and Intendant of the Oper Frankfurt, where he remained in charge for nine years. He worked together with general manager (Generalintendant) Harry Buckwitz. The ensemble was invited to guest performances at the Théâtre des Nations in Paris.

A new house for opera and drama was built, completed in 1963 at the Theaterplatz (now Willy-Brandt-Platz).

The Gielen era

From 1977 to 1987, Frankfurt Opera was led by Michael Gielen. This decade became known as the "Gielen era", notable for the music of a conductor who was also a composer, and directors including Ruth Berghaus and Hans Neuenfels, whose productions of standard works such as Verdi's Aida and Wagner's Ring Cycle were thought-provoking. Operas which received their world premieres at the house were also performed again, including Franz Schreker's Die Gezeichneten.

1987–present

The stage of the opera house was destroyed by a fire in November 1987. The opera house was rebuilt and opened in April 1991. Many famous singers started their career with the company, including Franz Völker, Edda Moser, Cheryl Studer, and Diana Damrau, and many established artists have been engaged there in recent seasons including Christian Gerhaher, whose roles here have included Monteverdi's L'Orfeo and his first Wolfram in Wagner's Tannhäuser, Piotr Beczała in Massenet's Werther and Jan-Hendrik Rootering in Wagner's Parsifal.