Restless Records

In 1991, Restless and a number of Enigma Records titles were acquired by Bill Hein and Joe Regis and re-launched in Hollywood, California.

In 1992, Restless acquired the Twin/Tone Records label and classic titles by such artists as The Replacements, Soul Asylum, The Jayhawks and Ween. This added to Restless' already substantial catalogue of titles by They Might Be Giants, The Cramps, The Dead Milkmen, Devo, The Flaming Lips, Stiff Little Fingers, T.S.O.L. among others.

In 1993, Restless co-founded Alternative Distribution Alliance (ADA) with Warner Brothers Music Group (WMG) to handle its distribution and certain titles released by Warner Bros., Elektra Records, Atlantic Records, their affiliates and Sub Pop Records. Sub Pop subsequently became a partner in the venture. Within 10 years, ADA went on to become the largest distributor of independent music in America.

In 1997, Restless was acquired by New Regency Productions, a leading independent film production company which had signed a 15 year distribution deal with 20th Century Fox that same year. Restless remained a subsidiary of New Regency until 2001, during which time, Restless released many of New Regency's soundtracks including L.A. Confidential, Fight Club and Malcolm In The Middle (the title song to which earned They Might Be Giants a Grammy in 2001).

In 2001, after New Regency sold its stake back to Hein and Regis, Restless entered into a distribution agreement with Ryko Distribution. This partnership ultimately led to the label's acquisition by Ryko Corporation. Ryko itself was later acquired by Warner Music Group in 2006.