Bob Maza
Photo: The Tribune (Australia), CC BY-SA 4.0, via Wikimedia Commons11

Bob Maza

Australian actor, playwright, director and activist

Robert Lewis Maza (25 November 1939 – 14 May 2000), known as Bob Maza, was an Indigenous Australian actor, playwright and activist.2

From Wikipedia’s article on Bob Maza (this version), CC BY-SA 4.0.

Born Nov 25, 1939, died May 14, 2000.1

Companies

Early life and education

Robert Lewis Maza was born on Palm Island in North Queensland on 25 November 1939, to a Murray Islander (Torres Strait Islander) father and to a Yidindji (Australian Aboriginal) mother.

He was one of the first Aboriginal children in northern Queensland to complete secondary schooling, and described feelings of alienation and being caught between two cultures as a teenager. After finishing school in Cairns, he worked as a labourer and then did office work in Darwin, Northern Territory.

From Wikipedia’s article on Bob Maza (this version), CC BY-SA 4.0.

Career

Occupation: actor, film actor, television actor.4

Acting career

Television

After moving to Melbourne in the 1960s, Maza became a musician and actor, featuring in various television dramas, becoming particularly known for his role as the articled clerk Gerry Walters in the ABC series Bellbird. He also appeared in many other television series, including Hunter, Homicide, Harry's War, Wildside, A Difficult Woman, A Country Practice, Women of the Sun and Heartland.

Theatre

In 1971 Maza started working in theatre with Jack Charles, and together they formed Nindethana, putting on a humorous piece called Jack Charles Is Up and Fighting, subtitled "It‟s tough for us Boongs in Australia today". In mid-1972 helped to establish the National Black Theatre in Sydney (with Brian Syron and Justine Saunders), and played a role in their first production, Basically Black.

After the National Black Theatre lost its funding, Maza helped to found the Black Theatre Arts and Culture Centre in Redfern, and was its first artistic director when it opened in July 1974. In January 1975, he directed his first play, Robert J. Merritt's The Cake Man, which was the first play by an Indigenous playwright to be published, televised, and tour internationally. He later directed Roger Bennett's Up the Ladder (1989), Jack Davis' No Sugar (1994) and Owen Love's No Shame (1995).

Appearing on stage for Nimrod Theatre, he acted in Eric Bentley's Are You Now, or Have You Ever Been? (1976), Thomas Keneally's Bullie's House (1980) and Michael Frayn's Clouds (1980).

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Films

He also acted in films, including When the Stars Came Dreaming (1998), Lilian's Story (1996), The Back of Beyond (1995), The Nostradamus Kid (1993), Reckless Kelly (1993), Ground Zero (1987), The Fringe Dwellers (1986), BabaKiueria (1986), White Man's Legend (1984), and 27A (1974).

Literary career

Maza's most notable play was The Keepers (1989). Mereki (first performed 8 October 1984), Tiddalik the Frog, and The Rainbow Serpent (1992) were based on traditional pre-colonial stories (see Rainbow Serpent and Tiddalik), with the intention of helping to regenerate Aboriginal culture.

The Keepers, based on the true story of a Scottish settler family meeting the last few members of the Buandig (Boandik) people of Rivoli Bay in South Australia during the frontier wars, was performed at the Adelaide Fringe Festival, by the Troupe Theatre, directed by Geoff Crowhurst, and at Belvoir Street Theatre in 1988, starring Lillian Crombie and Danny Adcock, and directed by Maza.

It was the first play produced by the Aboriginal National Theatre Trust, and Maza won the National Black Playwright Award for the production.

From Wikipedia’s article on Bob Maza (this version), CC BY-SA 4.0.

Personal life

  • BornNov 25, 1939, Palm Island group5
  • CitizenshipAustralia6

He married Dutch immigrant to Australia, Vera Blankman, and the couple are parents to actor and director Rachael Maza and writer and actor Lisa Maza.

From Wikipedia’s article on Bob Maza (this version), CC BY-SA 4.0.

Politics

After moving to Melbourne in the late 1960s, he joined the Aborigines Advancement League (AAL) and started becoming involved in Indigenous rights activism. He was inspired by Malcolm X Speaks, and subsequently made president of the AAL.

In 1970 Maza attended the third Pan-African Conference in the United States, where he witnessed the effectiveness of Indigenous theatre. Also in 1970, he addressed the United Nations General Assembly on the subject of "the third-world status of Indigenous Australians".

In 1972, he took part in the Aboriginal Tent Embassy protest.

From Wikipedia’s article on Bob Maza (this version), CC BY-SA 4.0.

Awards

  • 1993Member of the Order of Australia7 8