Jessica Chastain

2011–2013: Breakthrough and rise to prominence

After struggling for a breakthrough in film, Chastain had six releases in 2011 and received wide recognition for several of them. The first of the roles was as the wife of Michael Shannon's character in Jeff Nichols' Take Shelter, a drama about a troubled father who tries to protect his family from what he believes is an impending storm. The film was screened at the 2011 Sundance Film Festival, and critic Tim Robey of The Daily Telegraph noted how much Chastain's supporting part aided the narrative. In Coriolanus, an adaptation of the Shakespearean tragedy from actor-director Ralph Fiennes, she played Virgilia. Her next role was opposite Brad Pitt, as the loving mother of three children in Terrence Malick's experimental drama The Tree of Life, which she had filmed in 2008. Chastain signed on to the film without receiving a traditional screenplay from Malick, and she improvised several scenes and dialogues with Pitt. She considered her part to be "the embodiment of grace and the spirit world"; in preparation, she practiced meditation, studied paintings of the Madonna, and read poems by Thomas Aquinas. The film premiered at the 2011 Cannes Film Festival to a polarized reception from the audience, though it was praised by critics and won the Palme d'Or. The critic Justin Chang termed the film a "hymn to the glory of creation, an exploratory, often mystifying [...] poem" and credited Chastain for playing her part with "heartrending vulnerability".

Chastain's biggest success of the year came with the drama The Help, co-starring Viola Davis, Octavia Spencer and Emma Stone, which was based on Kathryn Stockett's novel of the same name. She played Celia Foote, an aspiring socialite in 1960s Jackson, Mississippi, who develops a friendship with her Black maid (played by Spencer). Chastain was drawn to Foote's antiracist stand, and connected with her energy and enthusiasm; in preparation, she watched the films of Marilyn Monroe and researched the history of Tunica, Mississippi, where her character was raised. The Help grossed $216 million at the box office to become her most widely seen film to that point. Manohla Dargis of The New York Times praised the chemistry between Chastain and Spencer, and Roger Ebert credited her for being "unaffected and infectious". The ensemble of The Help won the Actor Award for Outstanding Cast, and Chastain received Academy, BAFTA, Golden Globe and Actor Award nominations for Best Supporting Actress, all of which she lost to Spencer.

Chastain's final two roles of the year were in Wilde Salomé, a documentary based on her 2006 production of Salome, and the critically panned crime-thriller Texas Killing Fields. Her film roles in 2011, particularly in The Help, Take Shelter and The Tree of Life, won her awards from several critics' organizations. Two of Chastain's films in 2012 premiered at the 65th Cannes Film Festival — the animated comedy Madagascar 3: Europe's Most Wanted and the crime drama Lawless. In the former, which marked the third installment in the Madagascar series, she voiced Gia the Jaguar with an Italian accent. With global revenues of $747 million, the film ranks as her highest-grossing release. In Lawless, based on Matt Bondurant's Prohibition-era novel The Wettest County in the World, she played a dancer who becomes embroiled in a conflict between three bootlegging brothers (played by Shia LaBeouf, Tom Hardy, and Jason Clarke). The film received generally positive reviews, with Richard Corliss finding Chastain to be filled with "poised, seductive gravity". In an experimental biopic of the author C. K. Williams, entitled The Color of Time (2012), directed by the New York University students of actor James Franco, she played the mother of the young Williams.

A short part Chastain had filmed for Terrence Malick's To the Wonder (2012) was edited out of the final film, and due to scheduling conflicts, she dropped out of the action films Oblivion and Iron Man 3 (both 2013). She instead made her Broadway debut in a revival of the 1947 play The Heiress, playing the role of Catherine Sloper, a naïve young girl who transforms into a powerful woman. Chastain was reluctant to take the role, fearing the anxiety she had faced during her early stage performances. She ultimately agreed after finding a connection to Sloper, explaining: "she's painfully uncomfortable and I used to be that". The production was staged at the Walter Kerr Theatre from November 2012 to February 2013. Ben Brantley of The New York Times was disappointed in Chastain's performance, writing that she was "oversignaling the thoughts within" and that her delivery of dialogue was sometimes flat. The Heiress emerged as a sleeper hit at the box office.

Kathryn Bigelow's thriller Zero Dark Thirty was Chastain's final film release of 2012. It is a partly fictionalized account of the nearly decade-long manhunt for Al-Qaeda leader Osama bin Laden after the September 11 attacks in 2001. She played Maya Harris, a CIA intelligence analyst who helps kill bin Laden. Chastain was unable to meet the intelligence analyst on whom her character was based, so she relied on the research done by the film's screenwriter Mark Boal. The difficult subject matter made it unpleasant for her to film; she suffered from depression during production, and once walked off the set in tears because she was unable to continue. Zero Dark Thirty was critically acclaimed, albeit controversial for its scenes of torture that were shown providing useful intelligence in the search for bin Laden. Roger Ebert took note of Chastain's versatility, and likened her ability and range to that of Meryl Streep. Peter Travers of Rolling Stone wrote, "Chastain is a marvel. She plays Maya like a gathering storm in an indelible, implosive performance that cuts so deep we can feel her nerve endings." She won the Golden Globe Award for Best Actress in a Drama and received Academy, BAFTA and Actor nominations for Best Actress.

Chastain took on the lead role of a musician who is forced to care for her boyfriend's troubled nieces in the horror film Mama (2013), directed by Andy Muschietti. She was drawn to the idea of playing a woman drastically different from the "perfect mother" roles she had previously played, and she based her character's look on the singer Alice Glass. The critic Richard Roeper considered her performance to be proof of her being one of the finest actors of her generation. During the film's opening weekend in North America, Chastain became the first performer in fifteen years to have leading roles in the top two films (Mama and Zero Dark Thirty) at the box office. She then starred as the titular character of a depressed woman who separates from her husband (played by James McAvoy) following a tragic incident in the drama The Disappearance of Eleanor Rigby (2013), which she also produced. The writer-director Ned Benson initially wrote the story from the perspective of Rigby's husband, then wrote a separate version from Rigby's perspective at the insistence of Chastain. Three versions of the film — Him, Her, and Them — were released. It did not find a wide audience, but the critic A. O. Scott praised Chastain for "short-circuit[ing] conventional distinctions between tough and vulnerable, showing exquisite control even when her character is losing it, and keeping her balance even when the movie pitches and rolls toward melodrama".

2014–2020: Career fluctuations and expansion

Chastain appeared in three films in 2014. She played the titular character in Miss Julie, a film adaptation of August Strindberg's 1888 play of the same name, from director Liv Ullmann. It tells the tragic tale of a sexually repressed Anglo-Irish aristocrat who wishes to sleep with her father's valet (Colin Farrell). She was drawn to Ullmann's feminist take on the subject. The film only received a limited theatrical release. While filming Miss Julie in Ireland, she received the script for Christopher Nolan's science fiction film Interstellar (2014). With a budget of $165 million, the high-profile production, co-starring Matthew McConaughey and Anne Hathaway, was filmed mostly using IMAX cameras. Chastain played the adult daughter of McConaughey's character; she was drawn to the project for the emotional heft she found in the father-daughter pair. Drew McWeeny of HitFix took note of how much Chastain had stood out in her supporting role. Interstellar grossed over $701 million worldwide to rank as her highest-grossing live-action film to date.

In her final release of 2014, Chastain starred in the J. C. Chandor-directed crime drama A Most Violent Year. Set in New York City in 1981, the year in which the city had the highest crime rate, the film tells the story of a heating-oil company owner (Oscar Isaac) and his ruthless wife (Chastain). In preparation, she researched the period and worked with a dialect coach to speak in a Brooklyn accent. She collaborated with the film's costume designer to work on her character's wardrobe, and contacted Armani which provided her with clothing of the period. Mark Kermode of The Observer found Chastain to be "terrific" in a part inspired by Lady Macbeth's character, and Mick LaSalle of the San Francisco Chronicle described her portrayal as "the embodiment of a nouveau riche New York woman of the era". She received a Golden Globe for Best Supporting Actress nomination for it. For her work in 2014, the Broadcast Film Critics Association honored Chastain with a special achievement award.

In 2015, Chastain took on the part of a commander in Ridley Scott's science fiction film The Martian. Starring Matt Damon as a botanist who is stranded on Mars by a team of astronauts commanded by Chastain's character, the film is based on Andy Weir's novel of the same name. Chastain met with astronauts at the Jet Propulsion Laboratory and the Johnson Space Center, and modeled her role on Tracy Caldwell Dyson, with whom she spent time in Houston. The Martian became her second film to gross over $600 million in two consecutive years. Chastain next starred as a woman who plots with her brother (Tom Hiddleston) to terrorize his new bride (Mia Wasikowska) in Guillermo del Toro's gothic romance Crimson Peak. She approached the villainous part with empathy, and in preparation read graveyard poetry and watched the films Rebecca (1940) and What Ever Happened to Baby Jane? (1962). Del Toro cast Chastain to lend accessibility to a part he considered "psychopathic", but Peter Debruge of Variety found her "alarmingly miscast" and criticized her for failing to effectively convey her character's insecurity and ruthlessness. Conversely, David Sims of Slate praised her for portraying her character's "jealous intensity to the hilt".

After playing a series of intense roles, Chastain actively looked for a light-hearted part. She found it in the ensemble fantasy film The Huntsman: Winter's War (2016), which served as both a sequel and a prequel to the 2012 film Snow White and the Huntsman. She was drawn to the idea of playing a warrior whose abilities were on par with those of the male lead, but the film flopped both critically and commercially. Chastain next starred as the titular character, a lobbyist, in the political thriller Miss Sloane, which reunited her with John Madden. She read the novel Capitol Punishment by disgraced former lobbyist Jack Abramoff to research the practice of lobbying in America, and met with female lobbyists to study their mannerisms and sense of style. Hailing her as "one of the best actresses on the planet", Peter Travers commended Chastain for successfully drawing the audience into Sloane's life, and Justin Chang termed her performance "a tour de force of rhetorical precision and tightly coiled emotional intensity". She received a Golden Globe nomination for Best Actress in a Drama. Also in 2016, Chastain launched the production company Freckle Films, headed by a team of female executives.

Chastain began 2017 by serving as the executive producer and providing the narration for I Am Jane Doe, a documentary on sex trafficking. In an effort to work with more female filmmakers, Chastain starred in two projects directed by women — Niki Caro's The Zookeeper's Wife and Susanna White's Woman Walks Ahead. In the former, an adaptation of Diane Ackerman's non-fiction book of the same name, she co-starred with Johan Heldenbergh as the real-life Polish zookeepers Jan and Antonina Żabiński who saved many human and animal lives during World War II. The film received mixed reviews, but Stephen Holden took note of how Chastain's "watchful, layered performance" empowered the film. Woman Walks Ahead tells the story of the 19th-century activist Catherine Weldon, who served as an adviser to the Sioux chieftain Sitting Bull prior to the Wounded Knee Massacre. She was interested in portraying a role that young girls could look up to for inspiration, and provided off-screen inputs to avoid a white savior narrative.

Chastain portrayed Molly Bloom, a former skier who ran a high-profile gambling operation that led to her arrest by the FBI, in Aaron Sorkin's directorial debut, Molly's Game (2017). She took the part due to her desire to work with Sorkin, whose writing she admired. Instead of relying on Bloom's public persona, she met Bloom personally to explore her character's flaws and vulnerabilities. She also researched the world of underground poker and interviewed some of Bloom's customers. Peter Debruge hailed her role as "one of the screen's great female parts", and credited its success to both Sorkin's script and Chastain's "stratospheric talent." She received her fifth Golden Globe nomination for it. In 2018, she hosted an episode of the television sketch comedy show Saturday Night Live and voiced the virtual reality production Spheres: Songs of Spacetime. She had filmed a part in Xavier Dolan's ensemble drama The Death & Life of John F. Donovan, but her scenes were deleted from the final cut as Dolan found her role incompatible to the story.

In the superhero film Dark Phoenix (2019), which marked the twelfth installment in the X-Men series, Chastain took on the role of an evil alien due to its focus on female characters. Peter Bradshaw of The Guardian considered it to be "a waste of her talents", and the film registered poor box office returns. She reteamed with Andy Muschietti in It Chapter Two, the sequel to his 2017 horror film It, based on Stephen King's novel. She played the adult Beverly Marsh (a woman in an abusive marriage), sharing the role with Sophia Lillis. Filming proved challenging for Chastain, as Muschietti preferred the usage of practical effects to computer-generated imagery; one particular scene required her to be covered in 4,500 US gallons (17,000 litres) of fake blood. The film received favorable reviews, with Charlotte O'Sullivan of the Evening Standard finding Chastain to be "suitably sad and sepulchral" in her role. It grossed over $470 million worldwide.

Under Freckle Films, Chastain produced and starred in the action film Ava (2020), written and initially set to be directed by Matthew Newton, who has been accused of domestic violence. Following backlash against her for agreeing to work with him, Newton was replaced with Tate Taylor. Boyd van Hoeij of The Hollywood Reporter bemoaned that Chastain's talents as an action star had been wasted in an underwhelming film. Released theatrically during the COVID-19 pandemic, it performed poorly at the box office but gained success on video on demand.

2021–present: Awards success and television

Andrew Garfield and Chastain starred as the televangelists Jim and Tammy Faye Bakker in the biopic The Eyes of Tammy Faye (2021). She acquired the rights to Tammy Faye's life in 2012, and produced the film under her company Freckle Films. To look like Bakker, Chastain wore prosthetic makeup which took 4–7 hours to apply. The role a