
John Wayne
American actor (1907–1979)
Marion Robert Morrison (May 26, 1907 – June 11, 1979), known professionally as John Wayne, was an American actor. Nicknamed "Duke", he became a popular icon through his starring roles in films which were produced during Hollywood's Golden Age, especially in Western and war movies.2
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Born May 26, 1907, died Jun 11, 1979.1
About
His career flourished from the silent film era of the 1920s to the American New Wave in the 1970s, as he appeared in a total of 179 film and television productions. He was among the top box-office draws for three decades, and appeared with many other important Hollywood stars of his era. In 1999, the American Film Institute selected Wayne as one of the greatest male stars of classic American cinema.
Wayne was born in Winterset, Iowa, but grew up in Southern California. After losing his football scholarship to the University of Southern California due to a bodysurfing accident, he began working for the Fox Film Corporation. He appeared mostly in small parts, but gained a leading role in Raoul Walsh's Western The Big Trail (1930), an early widescreen film epic that was a box-office failure. He played leading roles in numerous B movies during the 1930s, most of them Westerns, without becoming a major name. John Ford's Stagecoach (1939) made Wayne a mainstream star, and he starred in 142 motion pictures altogether. According to biographer Ronald Davis, "John Wayne personified for millions the nation's frontier heritage".
Wayne's other roles in Westerns included a cattleman driving his herd on the Chisholm Trail in Red River (1948); a Civil War veteran whose niece is abducted by Comanches in The Searchers (1956); a troubled rancher competing with a lawyer (James Stewart) for a woman's hand in The Man Who Shot Liberty Valance (1962); and a cantankerous one-eyed marshal in True Grit (1969), for which he received the Academy Award for Best Actor. Wayne is also remembered for his roles in The Quiet Man (1952) with Maureen O'Hara; Rio Bravo (1959) with Dean Martin; and The Longest Day (1962). In his final screen performance, he starred as an aging gunfighter suffering from cancer in The Shootist (1976).
Wayne made his last public appearance at the Academy Awards ceremony on April 9, 1979, and died of stomach cancer two months later. In 1980, he was posthumously awarded the Presidential Medal of Freedom, the highest civilian honor of the United States.
From Wikipedia’s article on John Wayne, shared under CC BY-SA 4.0.2
Companies
- Batjac ProductionsFounder18
Early life and education
- Date not recordedGlendale High School (California)3
- Date not recordedUniversity of Southern California pre-law3
Wayne was born as Marion Robert Morrison on May 26, 1907, at 224 South Second Street in Winterset, Iowa. The local paper, Winterset Madisonian, reported on page 4 of its May 30, 1907 edition that he weighed 13 lb (around 6 kg) at birth. Wayne later claimed that his middle name was changed from Robert to Michael when his parents decided to give the name Robert to their next son, but extensive research has found no record of a legal change. His legal name apparently remained Marion Robert Morrison throughout his life, although his original name is almost always referred to as Marion Michael Morrison.
Wayne's father, Clyde Leonard Morrison (1884–1937), was the son of Marion Mitchell Morrison (1845–1915), a Union Army veteran of the American Civil War. His mother, Mary "Molly" Alberta Brown (1885–1970), was from Lancaster County, Nebraska. Wayne had Scottish, Scotch-Irish, English, and Irish ancestry. His great-great-grandfather Robert Morrison (b. 1782) left County Antrim, Ireland, with his mother, arriving in New York in 1799 and later settling in Adams County, Ohio. The Morrisons were originally from the Isle of Lewis in the Outer Hebrides, Scotland. Wayne was raised Presbyterian.
The family moved to Palmdale, California, and in 1916 to Glendale, where they lived at 404 Isabel Street and his father worked as a pharmacist. Wayne attended Wilson Middle School and then Glendale Union High School, where he performed well in both sports and academics. He played on the school's football team and joined its debating team. He was president of the Latin Society and contributed to the school's newspaper sports column.
A local fireman on his route to school began calling him "Little Duke" because he was always accompanied by his large Airedale Terrier, Duke. Wayne preferred "Duke" to "Marion", and the nickname stayed with him. As a teenager, he worked in an ice-cream shop owned by a man who shod horses for Hollywood studios. He was active in the Order of DeMolay and was later inducted into its Hall of Fame. He played football for the 1924 league-champion Glendale High School team.
Wayne applied to the U.S. Naval Academy but was not accepted because of poor grades. He instead attended the University of Southern California (USC), majoring in pre-law. He was a member of the Trojan Knights and Sigma Chi fraternity. Standing at 6 feet 4+1⁄2 inches (1.94 metres) tall, he played on the USC Trojans football team under coach Howard Jones. A broken collarbone curtailed his athletic career, and Wayne later said he was too afraid of Jones's reaction to admit that the injury had occurred during a bodysurfing accident. He lost his athletic scholarship and, without funds, left the university.
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Dispute with Duke University
Newport Beach, California-based John Wayne Enterprises, a business operated by Wayne's heirs, sells products, including Kentucky straight Bourbon, bearing the "Duke" brand and using Wayne's picture. When the company tried to trademark the image appearing on one of the bottles, Duke University in Durham, North Carolina, filed a notice of opposition. According to court documents, Duke has tried three times since 2005 to stop the company from trademarking the name. The company sought a declaration permitting registration of their trademark. The company's complaint filed in federal court said the university did "not own the word 'Duke' in all contexts for all purposes." The university's official position was not to object provided Wayne's image appeared with the name. On September 30, 2014, Orange County, California federal judge David Carter dismissed the company's suit, deciding the plaintiffs had chosen the wrong jurisdiction.
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Career
Occupation: director, writer, American football player, film director, television actor, film producer, screenwriter, film screenwriter.5
- Date not recordedFounded Batjac Productions4
Early works and first lead role
As a favor to coach Jones, who had given silent Western film star Tom Mix tickets to USC games, director John Ford and Mix hired Wayne as a prop boy and extra. Wayne later credited his walk, talk, and persona to his acquaintance with Wyatt Earp, who was good friends with Mix. Wayne soon moved to bit parts, establishing a longtime friendship with Ford, who provided most of those roles. Early in this period, he had a minor, uncredited role as a guard in the 1926 film Bardelys the Magnificent. He also appeared with his USC teammates playing football in Brown of Harvard (1926), The Dropkick (1927), Salute (1929), and Columbia's Maker of Men (filmed in 1930, released in 1931). While working for Fox Film Corporation in bit roles, Wayne received on-screen credit as "Duke Morrison" only once, in Words and Music (1929). Director Raoul Walsh saw him moving studio furniture while working as a prop boy and cast him in his first starring role in The Big Trail (1930). Walsh suggested "Anthony Wayne" as a screen name, after Revolutionary War General "Mad" Anthony Wayne. Fox Studios chief Winfield Sheehan rejected it as sounding "too Italian". Walsh then suggested "John Wayne". Sheehan agreed, and the name was set. Wayne was not present for the discussion. His pay was raised to $105 a week.
The Big Trail was intended as the first big‑budget outdoor spectacle of the sound era, made at a then‑staggering cost of $1.25 million ($25.08 million equivalent in 2026), using hundreds of extras and wide vistas of the American Southwest, still largely unpopulated at the time. To take advantage of the scenery, it was filmed in two versions: a standard 35 mm version and another in the new 70 mm Grandeur film process, using an innovative camera and lenses. Many in the audience who saw it in Grandeur stood and cheered, but only a handful of theaters were equipped to show the film in its widescreen format, and the effort was largely wasted. The film was considered a major box‑office failure at the time, but later came to be highly regarded by modern critics.
Subsequent films and breakthrough
After the commercial failure of The Big Trail, Wayne was relegated to small roles in A pictures, including Columbia's The Deceiver (1931), in which he played a corpse. From 1932 to 1933, he starred in six B movie Westerns for Leon Schlesinger Productions and Warner Bros. Pictures. Wayne disliked their constant reuse of footage starring Ken Maynard and their extremely cheap production value, which reflected Schlesinger's focus on his more successful Looney Tunes and Merrie Melodies animated film series.
Wayne appeared in the serial The Three Musketeers (1933), an updated version of the Alexandre Dumas novel in which the protagonists were soldiers in the French Foreign Legion in then-contemporary North Africa. He played the lead, with his name over the title, in many low-budget Poverty Row Westerns, mostly at Monogram Pictures, and in serials for Mascot Pictures Corporation. By Wayne's own estimation, he appeared in about 80 of these horse operas from 1930 to 1939. In Riders of Destiny (1933), he became one of the first singing cowboys of film, albeit via dubbing. He also appeared in some of the Three Mesquiteers Westerns, whose title was a play on the Dumas classic.
He was mentored by stuntmen in riding and other Western skills. Stuntman Yakima Canutt and Wayne developed and perfected stunts and onscreen fisticuffs techniques that are still in use. One of Wayne's main innovations in these early Poverty Row Westerns was allowing heroes to fight as convincingly as villains, by not always making them fight clean. Wayne said, "Before I came along, it was standard practice that the hero must always fight clean. The heavy was allowed to hit the hero in the head with a chair or throw a kerosene lamp at him or kick him in the stomach, but the hero could only knock the villain down politely and then wait until he rose. I changed all that. I threw chairs and lamps. I fought hard and I fought dirty. I fought to win".
Wayne's second breakthrough role came with John Ford's Stagecoach (1939). Because of Wayne's B movie status and track record in low-budget Westerns throughout the 1930s, Ford had difficulty securing financing for what was intended as an A‑budget film. After rejection by all the major studios, Ford struck a deal with independent producer Walter Wanger in which Claire Trevor—a much bigger star at the time—received top billing. Stagecoach was a major critical and financial success, and Wayne became a mainstream star. Cast member Louise Platt later credited Ford as saying that Wayne would become the biggest star ever because of his appeal as the archetypal "everyman".
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1940s
America's entry into World War II brought widespread support for the war effort from all sectors of society, and Hollywood was no exception. Wayne was exempted from service due to his age (34 at the time of Pearl Harbor) and his family status (classified as 3-A, family deferment). He repeatedly wrote to Ford saying he wanted to enlist, at one point asking whether he could join Ford's military unit. Wayne did not attempt to prevent his reclassification as 1-A (draft eligible), but Republic Studios was strongly opposed to losing him, as he was their only A-list actor under contract. Herbert J. Yates, president of Republic, threatened Wayne with a lawsuit if he left his contract, and Republic Pictures intervened in the Selective Service process, requesting his further deferment.
U.S. National Archives records indicate that Wayne applied to serve in the Office of Strategic Services (OSS), precursor to the modern CIA, but his bid was unsuccessful. Wayne toured U.S. bases and hospitals in the South Pacific for three months in 1943 and 1944 with the United Service Organizations (USO). During this trip, he carried out a request from William J. Donovan, head of the OSS, to assess whether General Douglas MacArthur, commander of the South West Pacific Area, or his staff were hindering OSS operations. Donovan later issued Wayne an OSS Certificate of Service to memorialize his contribution to the OSS mission. By many accounts, his failure to serve in the military later became the most painful part of his life. His widow later suggested that his patriotism in later decades stemmed from guilt, writing: "He would become a 'superpatriot' for the rest of his life trying to atone for staying home."
Wayne's first color film was The Shepherd of the Hills (1941), in which he co-starred with his longtime friend Harry Carey. The following year, he appeared in his only film directed by Cecil B. DeMille, the Technicolor epic Reap the Wild Wind (1942), co-starring with Ray Milland and Paulette Goddard; it was one of the rare occasions in which he played a character with questionable values.
Like most Hollywood stars of his era, Wayne appeared as a guest on radio programs such as The Hedda Hopper Show and The Louella Parsons Show. He made a number of dramatic appearances, mainly recreations of his own film roles, on programs including Screen Directors Playhouse and Lux Radio Theatre. For six months in 1942, Wayne starred in his own radio adventure series, Three Sheets to the Wind, produced by film director Tay Garnett. In the series, an international spy-detective drama, Wayne played Dan O'Brien, a detective who used alcoholism as a mask for his investigatory work. Garnett intended the show as a pilot of sorts for a film version, though the motion picture was never made. No episodes featuring Wayne appear to have survived, though a demonstration episode with Brian Donlevy in the leading role does exist. Wayne, not Donlevy, played the role throughout the series' run on NBC.
Director Robert Rossen offered Wayne the starring role in All the King's Men (1949), but Wayne refused, believing the script to be "un-American in many ways." Broderick Crawford, who was eventually cast in the role, won the 1949 Oscar for Best Actor, ironically beating Wayne, who had been nominated for Sands of Iwo Jima (1949).
1950s
Wayne lost the leading role of Jimmy Ringo in The Gunfighter (1950) to Gregory Peck because he refused to work for Columbia Pictures. Its chief, Harry Cohn, had mistreated him years earlier when he was a young contract player. Cohn had bought the project for Wayne, but Wayne's grudge was too deep, and Cohn sold the script to Twentieth Century Fox, which cast Peck in the role Wayne wanted but for which he refused to bend.
Batjac, the production company co-founded by Wayne in 1952, was named after the fictional shipping company Batjak in Wake of the Red Witch (1948), based on the novel by Garland Roark. A spelling error by Wayne's secretary was allowed to stand, accounting for the variation. Batjac (and its predecessor, Wayne-Fellows Productions) was the arm through which Wayne produced many films for himself and other stars. Its best-known non-Wayne productions were Seven Men From Now (1956), which began the classic collaboration between director Budd Boetticher and star Randolph Scott, and Gun the Man Down (1956) with contract player James Arness as an outlaw.
One of Wayne's most popular roles was in The High and the Mighty (1954), directed by William Wellman and based on a novel by Ernest K. Gann. His portrayal of a heroic copilot won widespread acclaim. Wayne also portrayed aviators in Flying Tigers (1942), Flying Leathernecks (1951), Island in the Sky (1953), The Wings of Eagles (1957), and Jet Pilot (1957).
He appeared in nearly two dozen of John Ford's films over 20 years, including She Wore a Yellow Ribbon (1949), The Quiet Man (1952), and The Searchers (1956). The latter was the first film in which he called someone "Pilgrim", and is often considered to contain his finest and most complex performance.
On May 14, 1958, Hal Kanter's I Married a Woman starring George Gobel and Diana Dors had its Los Angeles opening. Wayne appeared in a cameo as himself. On October 2, John Huston's The Barbarian and the Geisha, in which Wayne played the lead and clashed with Huston throughout production, had its New York opening.
Howard Hawks's Rio Bravo premiered on March 18, 1959. Wayne played the lead, supported by Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, and Ward Bond. Ford's The Horse Soldiers had its world premiere in Shreveport, Louisiana on June 18. Set during the Civil War, Wayne shared the lead with William Holden.
Wayne notoriously portrayed Genghis Khan in The Conqueror (1956), which was panned by critics.
1960s
In 1960, Wayne directed and produced The Alamo, his directorial debut, portraying Davy Crockett, with Richard Widmark as Jim Bowie. Wayne was nominated for an Oscar as the producer in the Best Picture category. That year he also played the lead in Henry Hathaway's North to Alaska, co-starring Stewart Granger and Ernie Kovacs. In 1961, Wayne shared the lead with Stuart Whitman in Michael Curtiz's The Comancheros.
In 1962, Wayne starred in John Ford's The Man Who Shot Liberty Valance with James Stewart. On May 29, Howard Hawks' Hatari! premiered, shot on location in Africa, with Wayne playing the lead capturing wild animals from the beds of trucks; all the animal scenes in the film are real. On October 4, The Longest Day began its theatrical run, with Wayne appearing in an ensemble cast. Although the other top‑level actors accepted token payments of $10,000 each to make the all‑star cast feasible, Wayne was paid $250,000 because of an earlier dispute with producer Darryl F. Zanuck. During this period, the cast of the television drama Combat! were preparing for their inaugural season with a week of basic training at the Army's Infantry Training Center at Fort Ord in northern California. Vic Morrow noted that instructors had one common request: not to act like John Wayne. "Poor John," Morrow said. "I wonder if he knows he's almost a dirty word in the Army."
In 1963, Wayne appeared in a segment of How the West Was Won, directed by Ford. On June 12, he played the lead in his final Ford film, Donovan's Reef, co-starring Lee Marvin. On November 13, Andrew V. McLaglen's McLintock! premiered, with Wayne again opposite Maureen O'Hara.
In 1964, Wayne played the leading role in Hathaway's Circus World with Claudia Cardinale and Rita Hayworth.
In 1965, Wayne appeared in a brief cameo as a centurion in George Stevens's The Greatest Story Ever Told. On April 6, he shared the screen with Kirk Douglas and Patricia Neal in Otto Preminger's In Harm's Way. On June 13, he acted in Hathaway's The Sons of Katie Elder with Dean Martin.
In 1966, Wayne appeared in a cameo for Melville Shavelson's Cast a Giant Shadow, starring Douglas.
In 1967, Wayne played the lead in Burt Kennedy's The War Wagon, with Douglas as the second lead. His second film that year, Hawks' El Dorado, a successful partial remake of Rio Bravo with Robert Mitchum in Dean Martin's original role, premiered on June 7.
In 1968, Wayne co-directed The Green Berets with Ray Kellogg, the only major film made during the Vietnam War in support of the war. Wayne wanted to make the film because Hollywood had little interest in Vietnam War subjects at the time. During filming, the Degar (Montagnard) people of Vietnam's Central Highlands, fierce fighters against communism, gave Wayne a brass bracelet that he wore in the film and in all subsequent films. Also in 1968, Wayne played the lead in McLaglen's Hellfighters, a film about crews who extinguish oil‑rig fires. Katharine Ross played a supporting role.
On June 13, 1969, Hathaway's True Grit premiered. For his role as Rooster Cogburn, Wayne won the Best Actor Oscar at the 42nd Academy Awards. In November, McLaglen's The Undefeated, co starring Rock Hudson, was released.
1970s: later career
On June 24, 1970, McLaglen's Chisum opended. Wayne played a cattle‑ranch owner who discovers that a businessman is trying to seize neighboring land illegally. On September 16, Hawks's Rio Lobo premiered. Wayne played Col. Cord McNally, who confronts Confederate soldiers who stole a shipment of gold at the end of the Civil War. It was another remake of Rio Bravo, though without a second lead of box-office stature of Dean Martin or Robert Mitchum.
In June 1971, George Sherman's Big Jake debuted. Wayne played an estranged father who must track down a gang that kidnapped his grandson. The film was a critically acclaimed hit.
In 1972, Wayne starred in Mark Rydell's The Cowboys. Vincent Canby of The New York Times, who did not particularly care for the film, wrote: "Wayne is, of course, marvelously indestructible, and he has become an almost perfect father figure". That year, he was selected in the last round of the NFL draft by the Atlanta Falcons for his past football experience, though the pick was disallowed because he was 64 years old.
On February 7, 1973, Burt Kennedy's The Train Robbers opened, with Wayne appearing alongside Ann-Margret, Rod Taylor, and Ben Johnson. On June 27, McLaglen's Cahill U.S. Marshal premiered, with Wayne, George Kennedy, and Gary Grimes. It was a box-office failure.
In 1974, Wayne played the lead role in John Sturges's crime drama McQ.
On March 25, 1975, Douglas Hickox's Brannigan premiered. In it, Wayne played Chicago police lieutenant Jim Brannigan, on the hunt in London for an organized-crime leader. On October 17, Rooster Cogburn began its theatrical run; Wayne reprised his role as U.S. Marshal Reuben J. "Rooster" Cogburn with strong plot elements reminiscent of The African Queen, and Katharine Hepburn as his leading lady.
In 1976, Wayne starred in Don Siegel's The Shootist, co-starring Lauren Bacall, Ron Howard, and James Stewart. It was Wayne's final film role. Its main character, J. B. Books, is dying of cancer, the disease to which Wayne himself succumbed three years later. The film contains numerous plot similarities to The Gunfighter, of nearly 30 years before, a role Wayne had wanted decades earlier but turned down. Upon release, it grossed $13,406,138 domestically, with about $6 million earned as US theatrical rentals. The film received positive reviews. It was named one of the Ten Best Films of 1976 by the National Board of Review. Roger Ebert ranked The Shootist number 10 on his list of the year's best films. It was nominated for an Oscar, a Golden Globe, a BAFTA film award, and a Writers Guild of America award.
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Personal life
- BornMay 26, 1907, Winterset6
- DiedJun 11, 1979, Westwood7
- CitizenshipUnited States8
- ResidenceGlendale9
- SpousesJosephine Wayne 1933 to 194510; Esperanza Baur 1946 to 195410; Pilar Pallete 1954 to 197910
Wayne was married three times and divorced twice. His wives included Josephine Alicia Saenz, of Spanish American descent, and two women from Latin America, Esperanza Baur and Pilar Pallete. He had four children with Josephine: Michael Wayne (1934–2003), Mary Antonia "Toni" Wayne LaCava (1936–2000), Patrick Wayne (born 1939), and Melinda Wayne Munoz (1940–2022). He had three more children with Pilar: Aissa Wayne (born 1956), John Ethan Wayne (born 1962), and Marisa Wayne (born 1966).
Several of Wayne's children entered the film and television industry. Ethan, billed as John Ethan Wayne in a few films, played one of the leads in the 1990s update of the Adam-12 television series. He has also appeared on the History Channel show Pawn Stars to help authenticate merchandise related to his father's career. Granddaughter Jennifer Wayne, daughter of Aissa, is a member of the country music group Runaway June.
In 1973, Wayne was encouraged by Pilar, an avid tennis player, to build the John Wayne Tennis Club in Newport Beach, California. In 1995, the club was sold to former general manager Ken Stuart and became the Palisades Tennis Club. In The Quiet Man (1952), Wayne tells Michaeleen "Óg", (Irish: Young), Flynn, played by Barry Fitzgerald, that he is six feet "four and a half" (194 cm), a claim corroborated by Pilar's book John Wayne: My Life With the Duke.
His divorce from Baur, a Mexican former actress, was stormy. She believed that Wayne and co-star Gail Russell were having an affair, a claim both denied. On the night Angel and the Badman (1947) wrapped, a party was held for cast and crew, and Wayne came home very late. Esperanza, in a drunken rage, attempted to shoot him as he walked through the front door.
Wayne had several high-profile affairs, including one with Merle Oberon that lasted from 1938 to 1947. After his separation from Pilar in 1973, Wayne became romantically involved with his former secretary Pat Stacy (1941–1995), with whom he lived until his death in 1979. Stacy published a book about their life together in 1983, titled Duke: A Love Story.
Wayne's hair began to thin in the 1940s, and he began wearing a hairpiece by the end of the decade. He was occasionally seen in public without it, including, according to Life, at Gary Cooper's funeral. During an appearance at Harvard University, a student asked, "Is it true that your toupée is real mohair?" Wayne replied: "Sir, that's real hair. Not mine, but real hair."
California Congressman Alphonzo Alphonzo E. Bell Jr., a close friend, wrote of Wayne: "Duke's personality and sense of humor were very close to what the general public saw on the big screen. It is perhaps best shown in these words he had engraved on a plaque: 'Each of us is a mixture of some good and some not so good qualities. In considering one's fellow man, it's important to remember the good things. [...] We should refrain from making judgments just because a fella happens to be a dirty, rotten S.O.B.'"
Wayne was fond of literature. His favorite authors included Charles Dickens, Arthur Conan Doyle, and Agatha Christie. His favorite books were David Copperfield and Conan Doyle's historical novels The White Company and Sir Nigel.
Wayne was a chess player. Roger Ebert recalled that on the set of Chisum, "we were playing a chess game, both of us bending over the board on an upended apple crate. Wayne, slouched in his old stitched leather director's chair, had a crowd of kibitzers: wranglers, extras, old cronies, drinking buddies, a couple of Mexican stuntmen. He studied the board, roared with laughter, and said, 'God...damn it! You've trapped my queen!' We studied the board. I made a decisive move. 'Why the hell did I just say that?' he asked. If I hadn't-a...said it, you wouldn't-a...seen it.'" According to Michael Munn, when Wayne was asked about Rock Hudson's sexuality, he replied, "Who the hell cares if he's a queer? The man plays great chess."
He used the same 1873 Colt Single Action Army revolver in many of his Westerns.
Wayne had been a chain smoker since young adulthood and was diagnosed with lung cancer in 1964. He underwent surgery to remove his entire left lung and two ribs. Despite efforts by business associates to keep his illness private for fear it would cost him work, Wayne announced he had cancer and urged the public to get preventive examinations. Five years later, he was declared cancer‑free. He has been credited with coining the term "the Big C" as a euphemism for cancer. Wayne biographer Michael Munn chronicled his drinking habits. According to Sam O'Steen's memoir Cut to the Chase, studio directors knew to shoot Wayne's scenes before noon because by afternoon he "was a mean drunk". Ebert quoted him as saying: "Tequila makes your head hurt. Not from your hangover. From falling over and hitting your head."
Wayne was an active Freemason. He was made a Master Mason at Marion McDaniel Lodge No. 56 F&AM in Tucson, Arizona. He became a 32nd Degree Scottish Rite Mason and later joined the Al Malaikah Shrine Temple in Los Angeles, along with fellow actor Roy Rogers. He later became a member of the York Rite. During his childhood, he was a member of a local Demolay chapter in Glendale.
During the early 1960s, Wayne traveled frequently to Panama and purchased the island of Taborcillo off the nation's Pacific coast. It was sold by his estate after his death.
Wayne's yacht, the Wild Goose, was one of his favorite possessions. He kept it docked in Newport Beach Harbor, and it was listed on the U.S. National Register of Historic Places in 2011.
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Philanthropy
John Wayne Cancer Foundation
The John Wayne Cancer Foundation was founded in 1985 in honor of John Wayne, after his family granted the use of his name (and limited funding) for the continued fight against cancer. The foundation's mission is to "bring courage, strength, and grit to the fight against cancer". The foundation provides funds for innovative programs that improve cancer patient care, including research, education, awareness, and support.
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Politics
Throughout most of his life, Wayne was a vocally prominent conservative Republican in Hollywood, supporting anti-communist positions. However, he voted for Democratic President Franklin D. Roosevelt in the 1936 presidential election and expressed admiration for Roosevelt's successor, fellow Democratic President Harry S. Truman, despite having supported Republican candidate Thomas E. Dewey in 1948. He took part in creating the conservative Motion Picture Alliance for the Preservation of American Ideals in February 1944 before being elected its president in 1949. An ardent anti-communist and vocal supporter of the House Un-American Activities Committee (HUAC), he made Big Jim McLain (1952) with himself as a HUAC investigator to demonstrate his support for the cause of anti-communism. His personal views found expression as a proactive inside enforcer of the "Black List", denying employment and undermining careers of many actors and writers who had expressed their personal political beliefs earlier in life. Soviet leader Joseph Stalin is alleged to have said that Wayne should be assassinated for his frequently espoused anti-communist politics, despite being a fan of his movies. Wayne was a supporter of Senator Joseph McCarthy.
Wayne supported Vice President Richard Nixon in the presidential election of 1960, but expressed his vision of patriotism when John F. Kennedy won the election: "I didn't vote for him, but he's my president, and I hope he does a good job." He used his star power to support conservative causes, including rallying support for the Vietnam War by producing, co-directing, and starring in the financially successful film The Green Berets (1968). In 1960, he joined the anti-communist John Birch Society, but quit after the organization denounced fluoridation of water supplies as a communist plot. In 1964, Wayne was a staunch supporter of Barry Goldwater, and actively campaigned for him.
Due to his status as the highest-profile Republican star in Hollywood, wealthy Texas Republican Party backers asked Wayne to run for national office in 1968, like his friend and fellow actor Senator George Murphy. He declined, joking that he did not believe the public would seriously consider an actor in the White House. Instead, he supported his friend Ronald Reagan's campaigns for Governor of California in 1966 and 1970. He was asked to be the running mate for Democratic Alabama Governor George Wallace, who had been nominated for president by the American Independent Party, in his 1968 campaign, but he immediately rejected the offer and actively campaigned for Nixon; Wayne addressed the 1968 Republican National Convention on its opening day.
In 1971, Wayne wrote to President Nixon, who was a friend, to oppose Nixon's planned trip to China. Wayne enclosed some hate literature on "that Jew, Kissinger", who had negotiated the historic meeting with Chinese leaders.
Wayne openly differed with many conservatives over the issue of returning the Panama Canal, as he supported the Panama Canal Treaty in the mid-1970s; while Republican leaders such as Reagan, Jesse Helms, and Strom Thurmond had wanted the U.S. to retain full control of the canal, Wayne and fellow conservative William F. Buckley believed that the Panamanians had the right to the canal and sided with President Jimmy Carter. Wayne was a close friend of Panamanian leader Omar Torrijos Herrera, and Wayne's first wife Josephine was a native of Panama. His support of the treaty brought him hate mail for the first time in his life.
In 1973, actor Marlon Brando refused an Oscar he had won, due to "the treatment of American Indians today by the film industry"; Brando did not attend the award ceremony but asked Native American civil rights activist Sacheen Littlefeather to attend and deliver a refusal speech in the event that he won. Wayne was allegedly waiting in the wings and was so angry about her presence there that Littlefeather said "he was coming towards me to forcibly take me off the stage, and he had to be restrained by six security men to prevent him from doing so." However, an investigation in 2022 found that this is unlikely to have happened, that Littlefeather had no way of witnessing this take place, that the supposed situation was never attested in contemporary reporting of the Oscars, and that the story grew as an urban legend through years of repeated exaggeration without sources.
In 1974, his personal conservative views were notably brought to light to a television audience on the Maude episode "Maude Meets the Duke," on which Wayne also guest starred.
Roger Ebert wrote that Wayne had a sense of humor about his politics. He recalls Wayne giving him a tour of his house: "He pointed out autographed photos of Eisenhower, Nixon, Goldwater, and J. Edgar Hoover. I said I had to take a pee. On the wall of the bathroom opening off the den, he had a photo of Hubert Humphrey, inscribed 'with warm appreciation for your continued Support.'" Colorado Congresswoman Pat Schroeder recalled that "John Wayne gave me a silver cigarette lighter during the Vietnam War that said 'Fuck Communism' on it. I didn't know how to do that. I still don't."
Left-wing activist Abbie Hoffman paid tribute to Wayne's singularity, saying, "I like Wayne's wholeness, his style. As for his politics, well—I suppose even cavemen felt a little admiration for the dinosaurs that were trying to gobble them up." Maoist avant garde film maker and critic Jean Luc Godard, in his Cahiers du Cinéma text "3000 heures de cinéma" ("3000 hours of cinema"), asked rhetorically:How can I hate John Wayne upholding Goldwater and yet love him when abruptly he takes Natalie Wood in his arms in the last reel of The Searchers?
In a video clip which aired posthumously on People for the American Way's 1982 I Love Liberty TV special, Wayne stated that while he disagreed with Jane Fonda, he still believed she had the right to say what she believed.
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1971 Playboy interview
In May 1971, Playboy magazine published an interview with Wayne, in which he expressed his support for the Vietnam War, and made headlines for his opinions about social issues and race relations in the United States:
With a lot of blacks, there's quite a bit of resentment along with their dissent, and possibly rightfully so. But we can't all of a sudden get down on our knees and turn everything over to the leadership of the blacks. I believe in white supremacy until the blacks are educated to a point of responsibility.
... I don't feel we did wrong in taking this great country away from the Indians. Our so-called stealing of this country from them was just a matter of survival. There were great numbers of people who needed new land, and the Indians were selfishly trying to keep it for themselves.
In the same Playboy interview, he also responded to questions about whether social programs were good for the country:
I know all about that. In the late '20s, when I was a sophomore at USC, I was a socialist myself—but not when I left. The average college kid idealistically wishes everybody could have ice cream and cake for every meal, but as he gets older and gives more thought to his and his fellow man's responsibilities, he finds that it can't work out that way—that some people just won't carry their load... I believe in welfare—a welfare work program. I don't think a fella should be able to sit on his backside and receive welfare. I'd like to know why well-educated idiots keep apologizing for lazy and complaining people who think the world owes them a living. I'd like to know why they make excuses for cowards who spit in the faces of the police and then run behind the judicial sob sisters. I can't understand these people who carry placards to save the life of some criminal, yet have no thought for the innocent victim.
In February 2019, the Playboy interview resurfaced, which resulted in calls for John Wayne Airport to be renamed. Wayne's son, Ethan, defended him, stating: "It would be an injustice to judge someone based on an interview that's being used out of context." The calls for changing the airport's name back to Orange County Airport were renewed during the George Floyd protests in June 2020, though the name, as of 2026, remains unchanged.
In October 2019, student activists of Wayne's alma mater the University of Southern California called for removing from the university's premises an exhibit dedicated to Wayne, citing the interview as cause. In July 2020, it was announced that the materials of the 2012-created exhibit would be moved to the USC Cinematic Arts Library for "research," to "allow scholarship to continue on the role John Wayne's films played in the history of cinema."
From Wikipedia’s article on John Wayne (this version), CC BY-SA 4.0.
Awards
- 2007California Hall of Fame11
- 1980Presidential Medal of Freedom11 13
- 1970Academy Award for Best Actor for True Grit11 12
- 1970Golden Plate Award11
- 1970Owen Wister Award11
- 1969Golden Globe Award for Best Actor – Motion Picture Drama for True Grit11
- 1966Golden Globe Cecil B. DeMille Award11
- Date not recordedCongressional Gold Medal11
- Date not recordedstar on Hollywood Walk of Fame11
Links
Sources
The numbers on this page point here. Each one links to the record it came from.
- 1WikidataJohn Wayne on Wikidata
- 2WikipediaJohn Wayne on Wikipedia
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- 10WikidataJohn Wayne: spouse, on Wikidata
- 11WikidataJohn Wayne: award, on Wikidata
- 12Wikidataaward, as reported
- 13Wikidataaward, as reported
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- 15WikidataJohn Wayne: X, on Wikidata
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- 17WikidataJohn Wayne: IMDb, on Wikidata
- 18WikidataBatjac Productions, Founder
- 19Wikimedia CommonsJohn Wayne photo by Unknown photographer, Public domain