Peter Laird

Laird was born on January 27, 1954, in North Adams, Massachusetts. Toward the end of 1983, Laird was earning just ten dollars an illustration from a local newspaper in Dover, New Hampshire. He was also doing illustrations for fanzines like The Oracle.

In a 1993 interview with Stephen Bissette and Stanley Wiater, interviewer-editors of Comic Book Rebels, Laird commented:

Laird:...Ask me how many other comic books I've drawn?

CBR: Okay, how many other comic books have you drawn?

Laird: Zero!

CBR: All right, how many book covers and album jackets have you done?

Laird: Zero! Zero! It's all been Turtles!

Since that time, Laird has been able to find time to pursue some other comic book work, including publishing Stupid Heroes, and the graphic novel trilogy Planet Racers, with Jim Lawson. Even this ties into the TMNT, however, since the 2003 TMNT series has episodes based on the theme of Planet Racers.

In December 2019, issue #100 of IDW Publishing's Teenage Mutant Ninja Turtles comic series featured a teaser ad for an upcoming comic project titled The Last Ronin in which the prospect of a possible reunion and cooperation between Laird and Eastman was held out. The project was confirmed in April 2020, but was delayed by the COVID-19 pandemic and ultimately manifested in the fall of that year.

In addition to his other interests, Laird founded the Xeric Foundation, a nonprofit organization created after considerable thought, as "an appropriate way to give back something extra to the comics world," by providing grants for self-publishers. While Eastman founded Tundra Publishing to embody the ideals of the Creator's Bill of Rights from a publisher's standpoint, Laird's vision involved funding rather than actively publishing individuals' work. His reasoning for this decision was in part simply due to him having "far too much to do as it is with Mirage." He "preferred to do something where it was more of a transfer of capital," with "all the worries... on other people's shoulders." The foundation itself, he explains is: "actually two foundations in one. One half of it is for charitable organizations, and the other half is for creators who want to self-publish their comics." That later half is perhaps what the foundation is best known for, working much the same as any benevolent fund, involving an applicatory process detailing how much money is being applied for and why.

Origins

Laird's "experience with the Turtles and self-publishing" was a learning process that, he felt "would be very valuable to other people to go through" as well, "in teaching creators about themselves, about life [and] about the hard reality of business." He cites the summits he, Eastman, Scott McCloud, Dave Sim and others had (which led directly to the formalizing of the "Creator's Bill of Rights," setting out in writing the necessary working arrangements that comics creators felt ought to be met regarding ownership of their work and proper remuneration, etc.) in informing his decision to set up the foundation, but also notes that he received "many requests for money," necessitating the creation of the Xeric Foundation's charitable end simply to deal with such requests "in an organized fashion."

Indeed, when asked in an interview on the Project Fanboy website, Laird was quoted as saying:

The initial impetus for creating the Xeric Foundation was frustration – when the Turtle thing started getting really huge, people started coming out of the woodwork to ask for money. Many of them were legitimate charitable organizations or creators needing funding, but there were also quite a few ridiculous things – like the total stranger who asked me for a quarter of a million dollars to fund his general store. It got to the point where I was getting overwhelmed with making these kinds of decisions, and it was suggested to me that a foundation might be a good way to "separate the wheat from the chaff", providing official and clearly delineated channels through which people looking for money had to make their way.

Laird recalled that the publication of the first issue of his and Eastman's Teenage Mutant Ninja Turtles comic came about thanks to a loan the two secured from Quentin Eastman, Kevin Eastman's uncle. Although the two were able to pay him back swiftly, it led Laird to speculate about what could have been: "if we hadn't gotten that loan from him at that point in our lives, it might have taken us a couple more months to raise that money from other sources, and who knows what might have happened differently as a result of that delay?" It occurred to him that "there must be so many times where a self-publishing venture can sink or float on the strength of" a relatively small amount of money, so he felt a desire to use some of his "good fortune, in the financial sense, to help people out" (and, in addition to the creators, the foundation also aids those "involved in charitable organizations").

Moreover, he cites "[a] big difference" between his and Eastman's personal Turtles situation and the charitable foundation as being "that the Xeric grants are not loans, which have to be paid back, but actual grants, which do not." He "credit[s] Kendall Clark, who has run the foundation for me from the beginning, as one of the main reasons it has worked as well as it has... she's done a wonderful job."