Steven Soderbergh

1998–2008: reemergence and Ocean's trilogy

Soderbergh's reemergence began in 1998 with Out of Sight, a stylized adaptation of an Elmore Leonard novel, written by Scott Frank and starring George Clooney and Jennifer Lopez. The film was widely praised, though only a moderate box-office success. The critical reception of the movie began a multi-movie artistic partnership between Clooney and Soderbergh. Clooney and Soderbergh next teamed for the latter to start its first production company, Section Eight Productions, a refurbishment of the old Maysville Pictures office, at Warner Bros. Pictures, although Clooney worked for the Maysville office and Soderbergh worked for the New York office. Soderbergh followed up on the success of Out of Sight by making another crime caper, The Limey (1999), from a screenplay by Lem Dobbs and starring actors Terence Stamp and Peter Fonda. The film was well-received and established him within the cinematic niche of thriller and heist films. He ventured into his first biographical film since Kafka in 2000 when he directed Erin Brockovich, written by Susannah Grant and starring Julia Roberts in her Oscar-winning role as a single mother taking on industry in a civil action. In late 2000, Soderbergh released Traffic, a social drama written by Stephen Gaghan and featuring an ensemble cast. Time compared him to a baseball player hitting home runs with Erin Brockovich and Traffic. Both films would be nominated at the 2001 Academy Awards, making him the first director to have been nominated in the same year for Best Director for two different films since Michael Curtiz in 1938. He was awarded the Academy Award for Best Director for Traffic and received best director nominations at the year's Golden Globe and the Directors Guild of America Awards.

In early 2001, he was approached to direct Ocean's Eleven, a reboot of the 1960s Rat Pack-movie Ocean's 11 written by Ted Griffin. After Griffin wrote the screenplay, Soderbergh signed on to direct. The film opened to critical acclaim and widespread commercial success. It quickly became Soderbergh's highest-grossing movie to date, grossing more than $183 million domestically and more than $450 million worldwide. Rolling Stone credited the movie with "[spawning] a new era of heist movies". In the same year, Soderbergh made Full Frontal, which was shot mostly on digital video in an improvisational style that deliberately blurred the line between which actors were playing characters and which were playing fictionalized versions of themselves. A year later, he was asked by executives at Warner Bros Studios to direct the psychological thriller Insomnia (2002), starring Academy Award winners Al Pacino, Robin Williams, and Hilary Swank. Despite their insistence, Soderbergh declined, preferring to see it directed by up-and-coming director Christopher Nolan.

Before returning to the Ocean's series, Soderbergh directed K Street (2003), a ten-part political HBO series he co-produced with George Clooney. The series was both partially improvised and each episode being produced in the five days prior to airing to take advantage of topical events that could be worked into the fictional narrative. Actual political players appeared as themselves, either in cameos or portraying fictionalized versions of themselves, notably James Carville and Mary Matalin. Soderbergh directed Ocean's Twelve, a sequel to Ocean's Eleven, in 2004. The second installment received muted critical reviews, and was another commercially successful film, grossing $362.7 million on a $110 million budget. Matt Singer of IndieWire called it a "Great Sequel About How Hard It Is to Make a Great Sequel." Also in 2004, Soderbergh produced and co-wrote the adapted screenplay for the film Criminal—a remake of the Argentine film Nine Queens—with his longtime assistant director Gregory Jacobs, who made his directorial debut with the film. Also that year, the company made its second production company, which soon supplanted Section Eight in 2006, Extension 765, which was launched in 2004.

A year later, Soderbergh directed Bubble (2005), a $1.6 million film featuring a cast of nonprofessional actors. It opened in selected theaters and HDNet simultaneously, and four days later on DVD. Industry heads were reportedly watching how the film performed, as its unusual release schedule could have implications for future feature films. Theater-owners, who at the time had been suffering from dropping attendance rates, did not welcome so-called "day-and-date" movies. National Association of Theatre Owners chief executive John Fithian indirectly called the film's release model "the biggest threat to the viability of the cinema industry today." Soderbergh's response to such criticism: "I don't think it's going to destroy the movie-going experience any more than the ability to get takeout has destroyed the restaurant business." A romantic drama set in post-war Berlin, The Good German, starring Cate Blanchett and Clooney, was released in late 2006. The film performed poorly commercially grossing $5.9 million worldwide against a budget of $32 million.

Soderbergh next directed Ocean's Thirteen, which was released in June 2007 to further commercial success and increased critical acclaim. Grossing $311.3 million on an $85 million budget, it is the second highest-grossing film of his career after the first Ocean's. The film concluded what would later be known as the Ocean's trilogy, a collection of heist movies that would go on to be described as defining a new era of heist films. Soderbergh directed Che, which was released in theaters in two parts, titled The Argentine and Guerrilla, and was presented in the main competition of the 2008 Cannes Film Festival, on May 22. Benicio del Toro played the Argentine guerrilla Ernesto "Che" Guevara in an epic four-hour double bill which looks first at his role in the Cuban Revolution before moving to his campaign and eventual death in Bolivia. Soderbergh shot his feature film The Girlfriend Experience in New York in 2008. Soderbergh cast adult film star Sasha Grey as the film's lead actress to great reception and controversy.

2009–2016: mainstream success and brief hiatus

Soderbergh's first film of 2009 was The Informant!, a black comedy starring Matt Damon as corporate whistleblower Mark Whitacre. Whitacre wore a wire for 2+1⁄2 years for the FBI as a high-level executive at a Fortune 500 company, Archer Daniels Midland (ADM), in one of the largest price-fixing cases in history. The film was released on September 18, 2009. The script for the movie was written by Scott Z. Burns based on Kurt Eichenwald's book, The Informant. The film grossed $41 million on a $22 million budget and received generally favorable reviews from critics. Also in 2009, Soderbergh shot a small improvised film with the cast of the play, The Last Time I Saw Michael Gregg, a comedy about a theatre company staging Chekhov's Three Sisters. He has stated that he does not want it seen by the public, and only intended it for the cast. Soderbergh nearly filmed a feature adaptation of the baseball book Moneyball, starring Brad Pitt and Jonah Hill. The book, by Michael Lewis, tells of how Billy Beane, general manager of Oakland Athletics, used statistical analysis to make up for what he lacked in funds to beat the odds and lead his team to a series of notable wins in 2002. Disagreements between Sony and Soderbergh about revisions to Steven Zaillian's version of the screenplay led to Soderbergh's dismissal from the project only days prior to filming in June 2009. In 2010, Soderbergh shot the action-thriller Haywire, starring Gina Carano, Ewan McGregor, Michael Fassbender and Channing Tatum which, though shot in early 2010, was not released until January 2012.

In 2010, Soderbergh shot the epic virus thriller Contagion, another film written by Burns. With a cast including Damon, Kate Winslet, Gwyneth Paltrow, Laurence Fishburne, Marion Cotillard and Jude Law, the film follows the outbreak of a lethal pandemic across the globe and the efforts of doctors and scientists to discover the cause and develop a cure. Soderbergh premiered it at the 68th Venice Film Festival in Venice, Italy on September 3, 2011, and released it to the general public six days later to commercial success and widespread critical acclaim. It grossed $135.5 million on a $60 million budget, and Manohla Dargis of The New York Times called it a "smart, spooky thriller about a thicket of contemporary plagues—a killer virus, rampaging fear, an unscrupulous blogger—is as ruthlessly effective as the malady at its cool, cool center."

In August 2011, Soderbergh served as a second unit director on The Hunger Games and filmed much of the District 11 riot scene. In September and October 2011, he shot Magic Mike, a film starring Tatum, about the actor's experiences working as a male stripper in his youth. Tatum played the title mentor character, while Alex Pettyfer played a character based on Tatum. The film was released on June 29, 2012, to a strong commercial performance and favorable critical acclaim. Throughout 2012, Soderbergh had announced his intention to retire from feature filmmaking. He stated that "when you reach the point where you're saying, 'If I have to get into a van to do another scout, I'm just going to shoot myself,' it's time to let somebody who's still excited about getting in the van, get in the van." Soderbergh later said that he would retire from filmmaking and begin to explore painting. A few weeks later, Soderbergh played down his earlier comments, saying a filmmaking "sabbatical" was more accurate. For his then-final feature film, he directed the psychological thriller Side Effects, which starred Law, Rooney Mara, Tatum and Catherine Zeta-Jones. It was shot in April 2012 and was released on February 8, 2013. Screened at the 63rd Berlin International Film Festival, A. O. Scott of The New York Times stated that Soderbergh "[handled] it brilliantly, serving notice once again that he is a crackerjack genre technician." In the end, while promoting Side Effects in early 2013, he clarified that he had a five-year plan that saw him transitioning away from making feature films around his fiftieth birthday. Around that time, he gave a much publicized speech at the San Francisco International Film Festival, detailing the obstacles facing filmmakers in the current corporate Hollywood environment.

Soderbergh had planned to commence production in early 2012 on a feature version of The Man from U.N.C.L.E., also written by Burns. George Clooney was set for the lead role of Napoleon Solo but had to drop out due to a recurring back injury suffered while filming Syriana. In November 2011 Soderbergh withdrew from the project due to budget and casting conflicts, and was eventually replaced by Guy Ritchie. His final televised project before heading into retirement was Behind the Candelabra. Shot in the summer of 2012, it starred Michael Douglas as legendarily flamboyant pianist Liberace and Damon as his lover Scott Thorson. The film is written by Richard LaGravenese, based on Thorson's book Behind the Candelabra: My Life with Liberace, and produced by HBO Films. It was selected to compete for the Palme d'Or at the 2013 Cannes Film Festival.

In May 2013—only months into his retirement—Soderbergh announced that he would direct a ten-part miniseries for Cinemax called The Knick. The series followed doctors at a fictionalized version of the Knickerbocker Hospital in Manhattan in the early twentieth century. The series starred Clive Owen, Andre Holland, Jeremy Bobb, Juliet Rylance, Eve Hewson and Michael Angarano and was filmed in 2013. It began airing in August 2014 to critical acclaim. After completing the second season, Soderbergh revealed he was finished directing for the show, and said: "I told them [Cinemax] that I'm going to do the first two years and then we are going to break out the story for seasons 3 and 4 and try and find a filmmaker or filmmakers to do this the way that I did. This is how we want to do this so that every two years, whoever comes on, has the freedom to create their universe."

After his work with The Knick, Soderbergh began working on a variety of personal projects starting with directing an Off-Broadway play titled The Library, starring Chloë Grace Moretz in January 2014.

On February 24, 2014, Soderbergh released a mash-up of Alfred Hitchcock's Psycho (1960) and Gus Van Sant's 1998 shot-by-shot remake on his website, titled Psychos. On April 21, 2014, Soderbergh released an alternate cut of Michael Cimino's controversial 1980 Western Heaven's Gate on his website. Credited to his pseudonym Mary Ann Bernard and dubbed "The Butcher's Cut", Soderbergh's version runs 108 minutes. On September 22, 2014, he uploaded a black-and-white silent version of Raiders of the Lost Ark, with Trent Reznor and Atticus Ross's score of The Social Network. The purpose of it is to study the aspects of staging in filmmaking. It was announced in June 2014 that Soderbergh would be executive producing a series based on his earlier film The Girlfriend Experience for the Starz network, to premiere sometime in 2016. In September 2015, Soderbergh was announced to be directing Mosaic, a series for HBO. Starring Sharon Stone, it was a dual-media project; it was released as both an interactive movie app in November 2017 and as a six-part miniseries airing in January 2018.

2016–present: return to filmmaking

In February 2016, Soderbergh officially came out of his retirement to direct a NASCAR heist film, Logan Lucky, starring Channing Tatum, Adam Driver, and Daniel Craig, among others. The film was produced entirely by Soderbergh, with no studio involved in anything other than theatrical distribution. The film was released on August 18, 2017, by Bleecker Street and Fingerprint Releasing, his own distribution and production company. Logan Lucky was met with widespread critical acclaim; Matt Zoller Seitz writing for RogerEbert.com stated: "The odds seem stacked in Logan Lucky's favor the instant you spot 'Directed by Steven Soderbergh' in the opening credits".

In July 2017, it was revealed that Soderbergh had also secretly shot a horror film using iPhones titled Unsane, and starring Claire Foy and Juno Temple. The film was released on March 23, 2018 and was well received by critics, with Scott Meslow of GQ noting its relevance to the modern plight of women in patriarchal societies, and called it a "nerve-jangling modern-day Kafka story". His usage of an iPhone in 4K to film the movie was considered "inspirational to aspiring filmmakers" for breaking down the perceived costs associated with producing a feature film in the United States.

In 2018, Soderbergh directed High Flying Bird, starring Andre Holland who played the role of a sports agent representing his rookie client with an intriguing and controversial business opportunity during an NBA lockout. The film began production in February 2018 and was released on February 8, 2019, by Netflix. Soderbergh's film The Laundromat is a political thriller about the international leak of the Panama Papers, written by Scott Z. Burns and based on the book Secrecy World, by Pulitzer Prize-winner Jake Bernstein. It stars Meryl Streep, Gary Oldman, Antonio Banderas, Jeffrey Wright, Matthias Schoenaerts, James Cromwell and Sharon Stone and premiered at the Venice Film Festival on September 1, 2019 before airing on Netflix. Soderbergh's 2020 film Let Them All Talk, was written by Deborah Eisenberg, and starred Meryl Streep, Candice Bergen, Gemma Chan, Lucas Hedges and Dianne Wiest. It was shot in 2019, primarily aboard the ocean liner Queen Mary 2, and also in New York and the UK, and premiered on December 10, 2020, on HBO Max.

Entrepreneurship

In 2018, Soderbergh launched a Bolivian grape spirit brand called "Singani 63". In 2014, he had teamed up with a distillery based in Tarija, Casa Real and became the sole exporter of the spirit from the mountains of Bolivia. Singani is a traditional spirit of Bolivia, and Soderbergh does not like to label singani a brandy, because he says, "Millennials hate brandy." To demonstrate this, he created a very short iPhone/YouTube video, "Brandy VS Singani 63", that asks people to give their thoughts regarding brandy and Singani 63.